CHLOE GRACE MORETZ IN A SHORT SKIRT


Margaret Qualley

In Coralie Fargeat's brand new feminist horror flick The Substance, unsafe social charm standards are actually the genuine monsters. They (women objectification, the fingertip of "the old," the proliferation of a sector built on body system customization) feed a monster of a pattern that leads Demi Moore's fading television individual character Eli

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